Monthly Archives: May 2013

Crossing my fingers…

Crossing my fingers…

Finally finished inking & photoshopping all the book illustrations. I am crossing my fingers that there will be minimal changes and no color needed after final aproval. It’s not my style, not my thing..but it’s work! So that’s good. What I really want to do though is get started on my Sedna.

Baba Yaga

Baba Yaga

Baba Yaga

Baba Yaga

When I worked with Baba Yaga, she stripped so much away. Acheulean asks me to go back, and back and back. Back to the foundation, back to everything that was and is, stripped of the distractions and confusion. Back to the beginning…ending…beginning….shortly after painting her we were forced to move. I rid myself of many many things. It was emotional and dark. Still living the effect of my prayers to Baba Yaga…the bone mother…Achulean asks me, no tells me, to begin again. Literally we are now starting over.

Why I do what I do

Why I do what I do

This project that I’m working on has been a dream of mine for many years. It means a great deal to me to be able to convey these goddesses in a way that makes them real and accessible. In the times that we are living, knowing that magic is possible can be a comfort. Knowing that miracles can happen and the Divine not only lives among us, but within us can sometimes give us that extra boost we need to carry on when things seem hopeless.

I truly hope that these paintings can trigger something in us, can allow us to remember that there is more than what we know, a wisdom that we can reach. I hope that they can bring balance or maybe fill an empty place in us by realizing that we too carry magic and divinity. I hope that we can remember that we are connected by a history and stories that are so ancient they have long been forgotten, but in their remembering we can come together and effect changes and prosper.

Kali

Kali

Kali by Kate Henriot Jauw

Kali, although fierce and I think misinterpreted by Western minds is an amazing Goddess to me. I stayed true to her original Hindu symbolism, with the exception of the four arms. This is because I want women to identify with her. I want them to be able to relate to her on all levels.

Her symbolism is great. At first glance, she obviously depicts, death and destruction. But Her name means Time. She devours time. And she denotes freedom.

In Tantric texts She is called “She Whose Essential Form is Sexual Desire”

To understand Kali, one needs to face fears and not avoid the forbidden.

Kali’s hair is always a mess, wild and free. (I know how she feels) It’s never depicted as bound or styled because she is free from convention, uncontrolled nature. She is not bound or limited to a male consort. Her tongue is in the act of tasting and consuming..enjoying…all the world’s flavors. Her blackness symbolizes her comprehensive nature, in her is dissolved illusion, fear, ignorance.

The severed arms represent karma. She shows that through her, Karma can be overcome. Her devotees are cut free from karma and are able to begin anew. Two of her hands are shown in the Mudras, She offers blessings of compassion and fearlessness. The other hands hold a sword and severed head. These symbolize the destruction of ignorance and the beginning of knowledge. The necklace of severed heads represent the sounds of the alphabet, traditionally there are 50 of them, I took liberties. From sound, reality is manifest…and Kali is the power behind that.

The Acheulian Goddess

The Acheulian Goddess

The Acheulian Goddess

Kwan Yin

Lots of stuff happened when I worked with the Acheulian Goddess. As I mentioned, I researched the hell out of her, but when it came time to bring her to life, I realized I had to abandon all that I thought I knew. The same goes for my life. Everything I thought I knew has just gone out the door. We’re starting at the beginning. And it’s been tough, still is. With the Achulean Goddess demanding that I let everything go, even though I don’t know yet how it all comes back together I decided to ask for a little (well, alot) of mercy. Which brought me to Kwan Yin.

Kwan Yin has a couple of stories and many different spellings of her name. She is a bodhisattva who hears the cries of the world. Hopefully she has heard mine. We’ll see!

As I was painting her I was thinking about the culture from which she originates. There is wealth associated with Chinese deities; wealth, luck good fortune. And although Her key words may be compassion and mercy, I was focusing on abundance.

Kwan Yin is teaching me that abundance is effortless. That there is a flow and it comes from a never ending source (her pouring water). She doesn’t practice compassion, She is compassion. She doesn’t show mercy, She is mercy. Just as She doesn’t have abundance, She is abundance. And that is what I need to be. Read the rest of this entry